Monday, 9 May 2011

wallpaper love

carving blocks for wallpaper printing

carving blocks for wallpaper printing

Block Printing Wallpaper with Kylie Budge at the studio
photo credit: Emma Byrnes

block printing wallpaper

Block Printing Wallpaper with Kylie Budge at the studio
photo credit: Emma Byrnes

Block Printing Wallpaper with Kylie Budge at the studio
photo credit: Emma Byrnes

There was a lot of love going on in the Harvest Workroom yesterday. The three of us (Emma, Anna and me) carved lino blocks, listened to music, sipped tea, listened to the rain fall on the tin roof, chatted away about life, the universe & everything, ate good food, AND printed wallpaper. Yep it's amazing what three people can achieve in one day when you're having that much fun.

If you'd like to make your own wallpaper why not join us for the wallpaper class coming up at Harvest? Click here for more info.

More pics of the printmaking process here and here.

Friday, 6 May 2011

paper cuts [but not the painful kind]

This new paper cut book is definitely on my wish list. More pics inside here on a little hut in case you're interested. And on the subject of paper cut goodness have a look at what printmaker Bridget Farmer is cutting - a flock of doves for her wedding decorations. I'm not much of a fan of weddings (yep, I've said it, don't yell at me) but if you have to have one then a flock of paper doves is a must, no?

My favourite paper cut artist, Beatrice Coron, has some beautiful new work happening on her website. Go be inspired. I'm really enjoying her paper cuts of city scapes in white on white.

On other cutting news, I'm off to cut lino blocks. A whole different cutting experience. But still very therapeutic.

Monday, 2 May 2011

colour/color everywhere

aireys inlet, victoria

aireys inlet, victoria

aireys inlet, victoria

I've been thinking a lot about colour in the last week or so as I was immersed in these beautiful sandstones tones at Aireys Inlet. I could just look at the blues of the ocean and sky and these gorgeous sandstone cliffs forever. There's also something about the autumn light which begins to put a more gentle feel to things in Australia at this time of year.

Anyway, as I was saying, colour.....I've been thinking about the colours I'm drawn to using in my work and even the ones I wear. And also how colours are made. It came up again over the weekend when I went to a briefing for the Arnhem Land Weavers trip I'm doing later in winter. We saw some amazing photos of the women weavers cooking up colour from the earth to dye their pandanas leaves before weaving them into glorious baskets. All those swirling earthy colours in the pots looked so rich and almost edible. Yum!

I find mixing colours to print (woodblock print, lino block print or screen print) really very challenging. I know I love a dirty colour (picture dirty red, dirty green, dirty blue); to me a good measure of black in there just seems to help ground the colour. I'm on the hunt for some good colour recipes so if you know of any or where to find some please feel free to share. I'd also love to hear what colours you're drawn to. Fluros anyone?

Tuesday, 19 April 2011

block print your own wallpaper

in pale grey

close up: wallpaper design

succulent flower wallpaper

wallpaper design in progress

in pale green

We're getting things in motion in preparation for the block print your own wallpaper class with Harvest Workroom in June. Would you like to join us? All levels of printing ability are welcome including beginners. Let us step you through how to design and block print your own wallpaper. It will be so much fun! More info here.

Also, follow this link on Design Sponge for some Lynne Testoni wallpaper goodness if you need a little inspiration.

Friday, 15 April 2011

risk taking + creativity

light through paper stencil
How often do you take risks in your creative work? By this I mean do you find yourself mostly working in a way you're comfortable with, same method, same materials, same approach? What does it take for you to step outside your comfort zone? Are you prepared to take big or small risks in your creative work?

When I think about the way I work it's usually in quite a tight, fairly small scale way. I draw and print with quite a bit of control. But I love looking at loose, 'messy' drawings and love prints that are layered and built up in a seemingly uncontrolled (or loosely controlled) way. I try to push myself to work against the way I'm used to, not to try to consciously change my 'style', but more as a way of stepping outside my comfort zone, take a few small risks, experiment, play, see where accidents take me.

It's not easy! It can even feel a bit crazy. But it can be a lot of fun.

When I lived in Kyoto I knew a printmaker who worked in a very tight, controlled way basing his prints on intricate, finely detailed drawings. His prints were incredibly detailed and accurate. He told me he was in awe of another printmaker we both knew who worked in a very loose, organic, experimental way. She would sometimes do wild things like blow torch the surface of her woodblock to get a certain texture, or add chemical substances to the wood and then sandpaper them (or then blow torch them) all in the name of texture. She rarely worked by drawing first. She usually just approached the block and started. Her prints was quite abstract but very, very interesting. I was also in awe of this kind of risk taking. To her it was very natural to work in such a way. She probably didn't even see it as taking risks.

My point is, sometimes it's good to step away from the safe, the known, the familiar patterns of working. Sometimes happy accidents can often follow and new ways of working can open up.

What do you think? How open to risk taking are you?

Monday, 11 April 2011

how do you identify?

block printing
photo credit: Emma Byrnes

As I said a few posts ago I'm reading a whole of lot of stuff these days, most of it interesting, some of it mindblowing, and a little bit of it taking me off on small but pleasant tangents.

Recently I have been reading and thinking about artists, designers, makers and identity. Yes, that old curly chestnut. Things like where, how and when does identity form for artists and designers, and does it happen in formal situations (like an art degree) or does a lot of it happen informally (or both)? What goes on in the heads of artists and designers as we think about and form our creative identities? Does it happen quickly or evolve over time (a life time)? Does it happen in a torturous, painful manner? Or does it in fact happen with ease and confidence for some? Do key people influence this development? And does it help if there is someone mentoring us through the process of claiming of an identity as artist and/or designer? What does the support needed to claim a creative identity look like? And what are the key issues we battle with in claiming this identity (family expectations & pressures, financial pressures, popular images of artists/designers, cultural and/or gender expectations)?

Believe it or not there is hardly anything written on this topic. Lots out there about corporate identity, branding, marketing and identity, that kind of thing, but not about the stuff I've listed above.

I warned you my head has been rattling on this topic!

Anything to share on this or any answers to these questions to offer?

And in terms of your creative-maker self, how do you identify?

Friday, 8 April 2011

what are you working on?

spotty teapot circle
spotty teapot circle
spotty teapot circle

For me it's been this new giclee print in the last few days. And I'm happy to say I've been practicing a bit of letting go in honour of those words in that last post. I had an earlier version of this that I was almost happy with. But not quite. So I got tough on myself and culled it. Not easy to do but I do think it has to be done from time to time.

What are you working on? Experiencing any bumpy bits?