Showing posts with label paper. Show all posts
Showing posts with label paper. Show all posts

Friday, 2 July 2010

in blue

blue, repeat pattern, dashblue, repeat pattern, dashblue, repeat pattern, dashIt never ceases to amaze me what a beautiful piece of software Photoshop is. I don't even know a fraction of what it can really do for me but the fact that I can take some rough hand drawn patterns like these dashes of mine and then make a variety of repeats in different colourways like this just fills me with joy. Is that nerdy or what?

There is a birthday in our house today. If I'm organised enough there will be a Jamie chocolate tart for dessert tonight. Got to get my skates on!

Tuesday, 29 June 2010

dash

Swirls of dashes in repeat on paper. I'm testing the repeat before I commit it to fabric.

This recent cold weather has found me cooking and eating apple, rhubarb and pear pudding with fresh cream. I'm not sure there is anything better on a cold night. Except perhaps the pea and ham soup that was eaten before it.

And speaking of foodie things I recently had the joy of eating the best eggs benedict ever at the newly opened Aquarium Cafe, 382 High St, Northcote.

Have you seen 'I am Love' (lo sono l'amore) yet? If not, do! You won't be disappointed. It's epic, it's gorgeous, it's Italian and it has Tilda. What more can you want in a film?

Monday, 14 June 2010

black and white

illustration, dress, black and whiteillustration, black and white, dressillustration, black and white, dressI don't know where these headless dresses are going, do you? I've been drawing these for the last few weeks and they keep multiplying.
spacecraft, screen printAnd this is a close up of one panel out of a set of four purchased from Spacecraft in Gertrude St at their recent sale. Black, grey and white wild fennel screen printed on canvas. To go above our bed. Looks like that wall isn't going to be wallpapered after all. But am I complaining?

Friday, 16 April 2010

paper & ink

composition in progress, paper dress, white
The white paper dress fixation continues.....
I'm trying out some different compositions with my sumi ink drawings and woodblock prints. Do you ever struggle with composition when you're designing something?
work space, sumi ink illustrations
The sumi ink drawings started in this somewhat messy spot. Oooh just realised the mess is hiding in this pic. Consider yourself lucky.

Saturday, 10 April 2010

abundance

white paper dress, collagewhite paper dresses

white paper dress and shoes, collage
rough edges

sumi ink illustrationswhite paper dress collage, compositionproduce
white paper dress collage, compositionabundance
mixed media collage
washi paper and sumi ink on Japanese ho-sho paper

I'm surrounded by many pregnant women and women with small babies. They are everywhere it seems these days. I was interested to see that my choice not to be is shared by Elizabeth Gilbert in her new book Committed. A thoroughly excellent read by the way. I wasn't expecting it to be with a title like that, but just goes to show that titles and covers can sometimes be misleading. She is one switched on, smart cookie.

Friday, 9 April 2010

layer, lamina

I have this thick, white, textural washi paper I purchased a while ago in Japan. It's been staring at me for too long and so this morning I pulled it out. I would really love a shirt or a dress made from this paper. I have always loved full sized paper clothing but I think this is as close as I'll get to having any. There's another here too.

Wednesday, 17 March 2010

repetition

repeat designrepeat designrepeat designStudio day. Playing with shapes and patterns with my new sumi ink. Brush work can be so relaxing.

Thursday, 17 January 2008

paper madness


There's been a bit of madness going on here today. I got so excited about it being my first studio day in my new work routine for 08 that I gave my self a headache by about 11am and had to go and have a cuppa with friend to calm down! Funny huh? I'll have to do things in a more measured, sensible fashion or I'll never last the day out :)

The other madness I have to share is a big beautiful book about chiyogami I treated myself to buying just before I left Japan (in 2005). The photo above is of the cover and the ones below are some inside shots. Basically every page (and this is a big book!) has a different chiyogami pattern on it and then some tiny little story in Japanese about the pattern's origin and symbolism and then some cute little manga type figures. I LOVE this book.

Saturday, 13 October 2007

the evolution of a little box

I've been developing a little chiyogami paper box for the past week or so. It started off looking like this in its first incarnation:

Bright red covered chiyogami paper on the bottom and then textured, white Japanese paper on the top. Then my little monk woodblock print on top of that. I lightly lacquered the whole thing to protect the paper from wear and tear. But I didn't like the paleness of the lid so I started playing with it again and put some more chiyogami paper on it to lift the monk print out a bit.
I love the colours in the chiyogami I used for the new lid. And now it looks like this:

and this:I'm much happier with it now. I've also bought some plain coloured paper to experiment with more lids to work in combination with some other amazing chiyogami patterned paper I have from Japan. I bought a huge stash just before I left and then rolled it up and tucked it inside one of my large rolls of printmaking paper. And just the other day I re-discovered it again accidentally while rummaging through my paper collection. I had completely forgotten about it!

Saturday, 22 September 2007

purples and blues

Spring is definitely here now the wisteria is in flower. This gorgeous one is in our back garden and because we're moving soon (when?) I was motivated to take some photos of it this week. Anyone who has ever had wisteria in their garden knows it's an amazingly fast grower with strong winding branches that get so thick that they can start to pull part of your house down - true! I've been vicious about chopping this one back every winter. And it still gets up the strength to flower like this every September.

On a printmaking note, I've just changed my mind about European printing papers. I'm pretty much a paper snob and until now have only really liked to print on good quality Japanese paper. But because I don't live there anymore and my Japanese paper supplies are starting to dwindle, I've decided to investigate and try out some of the European papers available in Melbourne art shops. Tonight I printed my little blue dragonfly print on thick, white paper from Italy and I think I like the way it worked out. It had this lovely way of merging with the block while I was printing. So I think I'm going to lose some of my paper snobbery and try some Stonehenge paper I bought yesterday and see how that turns out too.

Friday, 27 April 2007

all about washi

People often ask me questions about the kind of paper I use for my larger sized woodblock prints. In response I find myself going down a detailed conversational path about the wonders of washi, or Japanese handmade paper. There's an informative piece about washi on the website for an amazing looking shop called the Japanese Paper Place in Toronto. I really hope to be able go there some day and look at their collection of paper. So have a read of the washi article and discover how it's made, who uses it and why it's so strong. Even Japanese money (the notes) are made from washi! If you're ever in Kyoto there are washi shops around the centre of the city that you can visit. There's one on old Teramachi Dori and another near the corner of Shijo and Karasuma Dori. The paper in these places is so beautiful it will make you weep!